Jenny Morris offers her new album “All the Things You Are” as a loving nod to songs of the earliest days of jazz and musical theatre as pop; what is today called The Great American Songbook.
Her uncanny talent to reinvent a classic and make it her own is never so apparent as in “They Didn't Believe Me”, an Edwardian show tune by Jerome Kern, smoothly styled to a new, sexy riff; Her lushly romantic title track, also by Kern, winks and reveals itself as a sultry bossa.
Jenny embraces what she, and many others call “The golden age”, keeping the classics alive with what comes from her heart.
Her uncanny talent to reinvent a classic and make it her own is never so apparent as in “They Didn't Believe Me”, an Edwardian show tune by Jerome Kern, smoothly styled to a new, sexy riff; Her lushly romantic title track, also by Kern, winks and reveals itself as a sultry bossa.
Jenny embraces what she, and many others call “The golden age”, keeping the classics alive with what comes from her heart.